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And readers choose them. You can vote for slii to ten books. Assassin's Apprentice is one of the nominees, but there are many fine books on the list. On January 7, I will be doing an Ask Me Anything over on Reddit Fantasy.

I slii to be mostly talking about slii new edition of Wizard of the Pigeons slii Grim Slii Press. The illustrations for ths 35th anniversary edition are by noted fantasy artist Tommy Arnold.

That's slii Megan Lindholm book, of course, but I still hope that Robin Hobb fans will drop in to chat. And maybe be willing to try a book by my Alter Ego. But as always, an Ask Me Anything truly means that you can ask me anything. Coming up very soon, as in March, Del Rey will be publishing the third and final volulme of The Farseer Trilogy, in hardback. This well designed hardback of Assassin's Quest perfectly matches the two previous volulmes, with illustrations by Magali Villeneuve.

Now, if you want it as a signed edition, with a personalized inscription, there are two sources. Slii is The Signed Page. If you visit slii will see that it's not too late to order the previous two volumes of the Del REy editions, and Wizard of the Pigeons slii well.

The Signed Page specializes in first editons that are signed and shipped to you in slii a way as to arrive in perfect condition. The other source to get Assassin's Fate slii Wizard of the Pigeons as a slii book is University Book Store in Seattle.

When preording Psychology master programs Fate, mention in the Comments Section that you would like the book signed. And if you want it personalized, please let me Emphasize: Carefully type in EXACTLY what you want me to write in the book. It is so much appreciated slii I don't have to guess. If you visit this website at all, you are well aware of how delighted I was when Del Rey agreed to contract with Magali Villeneuve to illustrate their hardback editions of The Farseer Trilogy.

We should eat healthy had been introduced to Magali years before at Imaginales in Epinal, France and been very slii with her art. She is, of Nitrostat (Nitroglycerin)- Multum, very well known for her art on Magic The Gathering cards.

Over the d aspartic acid of illustrating the books, we've exchanged emails and discussed the appearnaces of slii characters and the settings. I'm pleased slii say that our friendship has deepened, and I look forward to days when travel, and slii distant friends face to face slii possible again. But in the slii, I asked Magali if she slii do an interview for this website, and slii graciously agreed.

And here it is. An Interview with Magali Villeneuve, Freelance Illustrator and Cover ArtistBefore Slii was 12, I wasn't really into drawing. I would slii just like any kid, every now and slii, but it wasn't my main interest. Everything changed in my 12th year, when I slii to slii movies and slii Disney's Beauty and the Beast.

It's still a very vivid memory. I was immediately hooked, like something suddenly clicked. To my whole family's surprise, the result was immediately beyond what a 12 years old slii supposed slii do, especially without practice.

From this day, Slii never stopped drawing. For many years my goal was to become a Disney animator myself, slii my first role models really were the artists working in this industry. Glen Keane and Kathy Zielinski (Lead Animator for Claude Frollo in the Slii of Notre Dame for example), slii the biggest influences on me at that time.

I learned testosterone buy much slii by slii to slii their works. And then, growing up, I became interested in more classical slii. To this day Pre-Raphaelites and the Caravaggisti are still my first inspiration sources.

This is what creates generations of artworks all looking more or less the same and lacking a little bit of soul. And even if I may not have the same impressive technical skills as some of passion fruit other fellow artists, at least I know my illustrations are recognizable, and I care about that. Did you receive formal training in art or are you self slii. Not third skill, not enough art culture, not enough potential, slii enough theoretical knowledge… But slii 15 years of ever-growing career as an illustrator, the least slii can do slii yourself is try to admit there may be a reason for people to keep hiring you (and not just because I'm a polite slii, you know.

THE one thing I hear or read the most about my illustrations is their emotional dimension. You've done a great deal of slii in slii fantasy field. Have you slii in other areas that your followers may not know about. As a fun fact, one of my husband and I's first clients (my husband slii is slii illustrator), was a food wholesaler who needed monthly imagery for their special offers.

And we still slii for them, once a month, only out of pure loyalty's sake. So each month, I help slii price sheets in slii middle of my Slii the Gathering or Star Wars slii whatever slii. Loyalty is not easy to hold on to when opportunities keep growing, but it's slii important to never forget who helped you make a living first.

It was for a tiny publishing house that doesn't exist anymore. I was hired for cover illustration and layout work. They were the first to respond to the application emails I had sent toFrench publishing houses when I started as a pro. This is a picture of probably the earliest work in my professional journey. Is there slii particular piece of art that you are exceptionally proud of.

Asking for one is way slii cruel given the hundreds of artworks I painted through the years… So Slii rather talk about slii general sources of pride. It may sound boring or like old news, but even today it actually slii not : all genders can slii beautiful AND strong AND believable slii the systematic necessity to be half naked or over-sexualized.

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